Thursday, 15 May 2014
Favourite historic recordings: Adelina Patti Ah Non Credea Mirarti
With my first two postings in this category no special pleading was required. On any level the performances spring to life out of the loudspeaker and no further explanation is needed.
Is that also the case for this posting - the famous recording of Bellini's Ah Non Credea from La Sonnambula. Would a listener coming to this cold with no background immediately see the greatness of this performance or would they dismiss it as the sad and uncontrolled warblings of an old lady?
I think it is wonderful, but have known this for so long that I can no longer quite tell whether I am responding objectively to the sound or am influenced by the face that this is a recording of the most famous singer of the latter half of the 19th century, admired by Rossini and Verdi among others, and therefore a tantalising link back to the distant operatic past? So am I projecting my own thoughts as to what I want this to sound like on top of what I am actually hearing?
I can' rule this out, but I really do think that this is remarkable singing. The tone itself is not particularly attractive and this is clearly the voice of somebody at the end of her career, but what sets its part is the style. The way that the legato line is floated over the accompaniment with subtle rubato reminds me of nothing as much as a performance of a Chopin Nocturne played by a really fine pianist. It is all so effortless and she seems to have all of the time in the world to fit in the decorations in the vocal line. And the technique itself is still in good shape - the trills are famous and the chromatically inflected runs are beautifully poised.
The cadenza towards the end is a bit rough - I suspect that she got too close to the recording horn in her enthusiasm, but you can can forgive this.
If you have never heard this before try it - do you hear the magic?
I love the story - which may be apocryphal but which deserves to be true - that when Patti didn't want to go to a rehearsal she sent her maid to stand in for her! Those were the days.
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